ART
I’ve been painting for as long as I can remember. My work reflects a love of bright colors, geometry, and architecture — shapes and patterns that feel both playful and grounding. I’m drawn to subjects that spark joy and stir memory, often finding beauty in the everyday. I experiment across mediums — pen and ink, acrylics, watercolors, digital art, and paper collage — letting each one bring its own rhythm and character to the piece. Yet beyond the forms themselves, I’m fascinated by the quiet conversations between color, light, and space. Hues shift and mingle, sometimes boldly, sometimes almost imperceptibly, guiding the eye and stirring a feeling that lingers at the edge of recognition. Layers of texture and medium build depth, offering fleeting, intimate glimpses that reward repeated attention. My work lives in these in-between spaces — where memory meets imagination, and where the viewer’s own experience quietly shapes what the painting becomes.
Architecture
Architecture has always been a quiet influence in my work. Spaces hold an emotional charge of their own — even without people present. They awaken memory, spark desire, and invite imagination, becoming more than structures; they are vessels of feeling.








Inspired by the cubists.
Geometry has always intrigued me — a balance of order within chaos. The Cubists’ influence can be felt in the way I layer forms and perspectives, creating compositions that invite repeat viewing. Each time you look, a new detail reveals itself — a shape, a corner, a fragment you hadn’t noticed before — keeping the work alive and ever-changing.








Abstract
Abstract art is a liberating form for me. It allows me to move beyond representation and focus on the interplay of composition, color, and rhythm. In abstraction, I find freedom — to explore energy, balance, and movement without boundaries. Each piece becomes less about depicting a subject and more about evoking a mood, an atmosphere, or a fleeting sensation.












Abrupt Sketches
Quick urban sketches let me capture the immediacy of a place — that first impression before details settle in. With just a glance, I can highlight space, shadow, silhouette, and structure, preserving the essence of a moment in its raw, unfiltered form.












Faces
I’m fascinated by the subtle intrigue held within expressions. The faces I draw often dissolve into their surroundings, blurring the boundary between figure and space. This ambiguity allows them to feel both present and elusive — part of the world around them, yet quietly distinct.








